Stezaker biography books

  • John Grenville Stezaker is a British conceptual artist.
  • Follow John Stezaker and explore their bibliography from Amazon's John Stezaker Author Page.
  • John Stezaker: Marriage.
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    ACTIVE BACKLIST

    John Stezaker: Doubled Shadow

    WALTHER KöNIG, KöLN
    Text lump Margaret Iversen.

    Collages that groveling splitting opinion doubling pick up reflect hint the twofaced figure promote to the uncanny

    Pbk, 8.5 x 10.75 show. / 128 pgs / 71 hue. | 1/9/2024 | Throw stock
    $35.00


    John Stezaker: At picture Edge systematic Pictures

    WALTHER KöNIG, KöLN
    Text close to Yuval Etgar.

    On the will and swipe of rendering British conceptual artist protest for his conceptually slow photomontages

    Flexi, 6.25 x 9.25 in. / 176 pgs / 82 color / 15 bw. | 3/30/2021 | Reveal stock
    $45.00


    John Stezaker: Love

    RIDINGHOUSE
    Text get ahead of Michael Bracewell, Craig Burnett.

    Pbk, 9 x 11 proclaim. / 96 pgs / 80 timbre. | 10/8/2019 | Select by ballot stock
    $29.95


    John Stezaker: Unassisted Readymade

    JRP|RINGIER
    Edited by Markus Bosshard, Lionel Bovier, Jürg Trösch. Text by King Campany.

    Hbk, 9.5 x 13.5 in. / 132 pgs / 79 color. | 4/26/2016 | In stock
    $75.00


    John Stezaker: Tabula Rasa

    RIDINGHOUSE

    Pbk, 9 x 10.63 in. / 40 pgs / 17 color. | 5/1/2010 | In stock
    $25.00


    John Stezaker: Silkscreens

    RIDINGHOUSE
    Text by Caoimhin Mac Giolla Leith.

    Clth, 9.13 x 11.25 in. / 143 pgs / 85 color. | 10/1/2010 | In stock
    $49.95


    John Stezaker: Ep Still

    RIDINGHOUSE
    Text building block Dav

    John (Grenville) Stezaker  is an English Conceptual artist born in 1949; he studied at the Slade School of Art and received a Higher Diploma in 1973. 

    John Stezaker’s appropriates found images from classic movie stills, vintage postcards and book illustrations and juxtaposes these to create photographic collages. By splicing images together he manipulates their meaning and resonances and examines the notion of ‘photographic truth’ as well as the association photography has with memory and modern culture. His subversive works draw upon the ‘uncanny’ for instance in his Marriage series which places together publicity shots of different celebrities.  The artist interest in Dada and Surrealism is reflecting in the hybrid nature of these works and collage technique.

    Solo exhibitions have taken place at the Museum of Modern Art in Oxford in 1973, Lisson Gallery in 1984, at Cubitt Gallery in 1996 and the Kunstverein Freiburg in 2010. In 2011 the artist had a retrospective at the Whitechapel Gallery, an exhibition that led him receiving the Deutsche Börse Prize. 

    The artist has worked as a tutor at Central St Martins and the Royal College of Art, and is represented by the Approach Gallery.

    Glossary

    • Collage

      The two-dim

      John Stezaker

      British conceptual artist

      John Grenville Stezaker (STEZ-ə-kər;[1] born 1949) is a British conceptual artist.

      Biography and career

      [edit]

      Stezaker attended the Slade School of Art in London in his early teens,[2] he graduated with a Higher Diploma in Fine Art in 1973. In the early 1970s, he was among the first wave of British conceptual artists to react against what was then the predominance of Pop art.[3]

      Solo exhibitions for Stezaker were rare for sometime, however, in the mid-2000s, his work was rediscovered by the art market;[3] he is now collected by several international collectors and museums.[3]

      His work is surreal in tone and is often made using collage and the appropriation of pre-existing images such as postcards, film stills, and publicity photographs.[3] Art historian Julian Stallabrass said, "The contrast at the heart of these works [by Stezaker] is not between represented and real, but between the unknowing primitives of popular culture, and the conscious, ironic artist and viewer of post-modern images."[4] One work included in an exhibition at Salama-Caro Gallery, London, in 1991, depicted an image of a punch clock together with the caption "Why Spend Time on an Exh

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