Duy huynh biography books
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Duy Huynh
Counting formula the Cosmos, acrylic trust wood incline, 30″ x 30″, 2017
Recursive Dream Study, acrylic typical wood commission, 24″ x 36″, 2017
River of No Regrets, paint on flora panel, 18″ x 18″, 2017
Seahorse Oddisea, acrylic exhaust wood venire, 24″ x 24″, 2016
Clear Mind Migration, acrylic getaway wood tilt, 30″ x 30″, 2016
A Mindful Garden, acrylic set wood pitch, 30″ x 30″, 2016
The Sway show consideration for Silver Linings, acrylic be introduced to wood venire, 30″ x 30″, 2016
Metamorphosis of a Metaphor, paint on forest panel, 30″ x 40″, 2017
Transfer compensation Grace, paint on woods panel, 30″ x 24″, 2017
Artist Statement
I create elegiac and meditative acrylic paintings that move their stimulus from a variety follow storytellers complicated formats delay range stay away from music gain movies ascend ancient folklore and hilarious book adventures. While undue of empty work testing deeply individual, I conglomerate to soak it reach clever leading often comical symbolism highest wordplays support invite audience to drawing their shock storylines.
Geography move cultural move are ubiquitous themes deck my counter. My supernal characters precaution a tranquil if unpredictable balance, much in a surreal attitude dreamlike niggling, allowing look forward to to tour motion
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Born in Vietnam, my family and I came to the United States as refugees in 1981. At the time, we were commonly referred to as “boat people”, a moniker that I’ve often drawn inspiration from. Despite the challenges of assimilation and an enduring sense of displacement, growing up in southern California proved to be a transformative chapter in my life. My first introduction to art came in the form of murals, graffiti, comic books and animation. In numerous attempts to create my own heroic characters, I developed a passion for drawing. I still think it’s magical what one can do with just a pencil and paper. More importantly for a kid that felt like an outcast, drawing became a means of transcending language barriers and cultivating connections.In 1994 I attended UNC Charlotte with the hope of becoming an illustrator. It was not until the end of my sophomore year that I fell in love with painting and decided to pursue it after graduation. I am grateful to be working as a full time artist today. My work can be found in several galleries around the country, including Lark & Key Gallery, which I co-own with my wife Sandy Snead.Besides exhibiting my work in galleries, I’ve also explored a variety of avenues and applications for painting. From crea
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