Marilyn artist biography
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Marilyn Minter
Marilyn Minter (b. 1948, Shreveport, LA; lives and works in New York, NY) creates photographs, painting, and videos that offer nuanced representations of women. Well known for her meticulous technical mastery, Minter’s details often highlight natural corporeal qualities that are omitted in mass-media depictions of women, such as body hair and stretch marks, which she deems not only authentic but also beautiful. In her early work, Minter explored erotica—most often images created by men for men—and created new versions of erotic images solely meant for female consumption as a means of reclaiming female sexuality and desire. This revolutionary act was met with serious criticism from leaders of the feminist movement who questioned the ability to reclaim such exploitative images. Nevertheless, Minter has unabashedly continued to advocate for women’s rights and reproductive freedoms, a stance, which for her, always includes women openly expressing their sexuality and desire—reclaiming the female body and subverting the historical objectification of women from the male gaze.
In addition to her commitment to challenging the historic portrayal of women through images, Minter’s work also reveals true mastery of her mediums. Her tra
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Marilyn Minter
American visual artist (born 1948)
Marilyn Minter (born 1948) is an American visual artist who is perhaps best known for her sensual paintings and photographs done in the photorealism style that blur the line between commercial and fine art.[1][2] Minter currently teaches in the MFA department at the School of Visual Arts in New York City.[3][4]
Early life and education
[edit]Minter was born in Shreveport, Louisiana, in 1948.[1] She was raised in Florida.[5]
In 1970 she attained a BFA from the University of Florida in Gainesville.[6] In 1972 she received an MFA in painting from Syracuse University.[6]
Style
[edit]Her photographs and works often include sexuality and erotic imagery.[1] Minter's process begins by staging photoshoots with film. She eschews digital manipulation, instead favoring a conventional darkroom process for developing stills. She does not crop or digitally manipulate her photographs. Her paintings, on the other hand, are made by combining negatives in photoshop to make a whole new image. This new image is then turned into paintings created through the layering of enamel paint on aluminum. Minter and her assistants work directly from this n
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A STATEMENT Running off MARILYN
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A SHORT BIO
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