Violino guarneri paganini biography
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Niccolò Paganini is one of the most legendary performers in the history of music. His musical talent and extraordinary skills, along with his unique performance style, made him a shining star in the 19th-century music world. His favorite violin was the Guarneri Del Gesú Il Cannone 1743 violin.
I: The Bond between Paganini and the Guarneri Del Gesú Il Cannone 1743 Violin
It is said that Paganini, at the age of 15, lost his original instrument in a gambling bet and was distraught over not having a violin to play. At that moment, a violin dealer generously offered him the Giuseppe Guarneri Del Gesú violin, made in 1743. From then on, for 40 years, Paganini never used any other violin for his performances, demonstrating his deep affection for this instrument. Paganini described the sound of the Guarneri violin as resonant as a "cannon," hence its nickname "Il Cannone."
II: Paganini's Protection of the Il Cannone 1743 Violin
Paganini took meticulous care of his beloved violin. Only repair craftsmen he completely trusted were allowed to handle it. According to historical records, during one tour, when the Cannone suffered slight damage due to collision, Paganini had no choice but to seek the assistance of the renowned violin maker and repairer Jean Baptiste Vuillaume. Paganini m
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Tarisio
In the 1960s the ‘Cannon’ was refitted and set up for modern playing conditions. From the late 1970s up to the first years of this century it then went through quite an intense period of use and some of the world’s best players had the privilege to play it. More recently this has been reduced and the ‘Cannon’ now enjoys a more retired life in the refurbished Sala Paganiniana in Genova’s Palazzo Tursi, under the supervision of the Museums of Strada Nuova. It was refitted in 2004 with copies of the fingerboard, pegs, bridge and tailpiece used by Paganini and is exhibited with a set of plain gut strings, as the great virtuoso would have played it.
The ‘Cannon’, shown here in its pre-2004 set-up, was donated to the City of Genova in 1851 and was rarely played for the next century. Photo: Peter Biddulph Ltd
More photosThe ‘Cannon’ has also recently undergone a non-invasive scientific project of monitoring in order to get as much information as possible about the elasticity and physical properties of the wood, and about the physical reaction of the violin while being played. The aim of this research is to monitor the static condition of the violin in order to reduce the risks of use. Luckily the whole construction of the ‘Cannon’, with its thick and structurally s
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Niccolò Paganini
Biography
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