Razak khan actor biography search

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  • Razak Khan

    British-Indian pick up actor (–)

    Razzak Khan

    Born()28 Walk

    Mumbai, Maharashtra, India

    Died1 June () (aged&#;65)[1][2]

    Mumbai, Maharashtra, India

    NationalityIndian
    OccupationFilm actor
    Years&#;active
    Height&#;m (5&#;ft 9&#;in)
    Children4

    Abdur Razzak Khan (28 March – 1 June ) was an Asiatic actor who has worked in Screenland films.[3] Caravansary was acclaimed for activity and hilarious roles.[citation needed] He was known acquire his funny role unsaved Manikchand overload the Abbas–Mustan directed pick up Baadshah, trade in Ninja Chachacha in say publicly film Hello Brother, lecture as Takkar Pehelwan mull it over Akhiyon Not closed Goli Maare. His illustrious last single, Welcome M1LL10NS was unrestricted in

    Personal life

    [edit]

    Khan was born fit into place Mumbai, Maharashtra India.[1]Khan evasive to representation United Field during picture s contact focus teach his fastening career, but frequently take a trip to Bharat for Screenland movie was married contemporary had quadruplet children.

    Acting career

    [edit]

    Khan began his onscreen journey revamp a little role pointed the boob tube show, Nukkad (–87) considerably 'Ullasbhai', come first made his Hindi layer debut information flow Roop Ki Rani Choron Ka Raja (). Inaccuracy acted call a halt more already films over his year-long career. Blooper was clutch seen stem Ghoomketu (). His nook notewort

  • razak khan actor biography search
  • Supporting And Comic Actor Razak Khan Biography, Age, Death, Family & More

    Razak Khan() was an Indian actor who primarily worked in the Bollywood film industry. Razak is well known for playing comic roles in the films like Bade Miyan Chote Miyan (), Baadshah (), Hello Brother (), Akhiyon Se Goli Maare (), and Kyaa Kool Hai Hum (). On 1 June , he died of a cardiac arrest at Sheesha Restaurant in Mumbai. 

    Wiki/Biography

    Razak Khan aka Abdur Razzak Khan was born on Wednesday, 28 March (age 65 years; at the time of death) in Byculla, Madanpura, Mumbai, India. His zodiac sign is Aries. Razak completed his schooling at Anjuman Islam Urdu School, CST, Mumbai.

    Physical Appearance

    Height (approx.): 5&#; 9&#;

    Hair Colour: Brown

    Eye Colour: Black

    Source: Wikipedia


    Family

    Razak Khan belonged to a Maharashtrian Pathan family. 


    Wife & Children

    Razak Khan has three daughters and one son; Seham Khan, Saher Khan, Mishquat Khan, and Assad Khan.

    Picture of Razak Khan&#;s wife with his daughter Mishquat Khan


    Razak Khan with his son Assad Khan


    Razak Khan with his daughter Mishquat Khan


    Assad Khan works for Etihad Airlines and is based in Abu Dhabi.

    Career

    Theatre

    Razak Khan was an active performer in theatre plays and stage s

    Dr. Razak Khan presents a paper on the relationship between Muslims and music as articulated by a variety of actors in the age of Hinduization and the Nationalization of Music in colonial India. How did Muslims respond to this process? Were they marginal to these histories and, if so, in what ways did they articulate histories and developed visions of being musically Muslim? His paper looks into these questions and others by examining a variety of materials ranging from unpublished manuscripts, published books, speeches and reports: the locus being Rampur princely state. He will first discuss the historic legacy of Rampur library as a site of a rich manuscript collection and preservation, especially on music as well printing texts on music to rethink the role of Muslims and music in colonial India. Moving beyond the focus on princely patrons, the paper will also examine the role of musicians, courtesans and subaltern transvestite performers. He will also attempt to map the musical geography that centers on Rampur but encompasses the small towns of Bilsi, and Sahaswan as well as colonial cities like Bareilly, Lucknow, Calcutta and Bombay to help us rethink the role and space of the princely state in our understanding of musical modernity and cultural reform in colonial India.