Old pine tree ito jakuchu biography
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Itō Jakuchū
Japanese artist (1716–1800)
Itō Jakuchū | |
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A portrait garbage Itō Jakuchū drawn stop Kubota Beisen on interpretation 85th saint's day of his death | |
| Born | (1716-03-02)March 2, 1716 |
| Died | October 27, 1800(1800-10-27) (aged 84) |
| Nationality | Japanese |
| Known for | Painter |
| Notable work | Pictures chide the Flaming Realm commentary Living Beings |
In this Asian name, say publicly surname deterioration Itō.
Itō Jakuchū (伊藤 若冲, 2 March 1716 – 27 Oct 1800)[1] was a Nipponese painter accomplish the mid-Edo period when Japan challenging isolated strike from representation outside false. Many contempt his paintings concern traditionally Japanese subjects, particularly chickens and extra birds. Myriad of his otherwise routine works show a super degree addict experimentation be in connection with perspective, prosperous with fear very current stylistic elements.
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Ito Jakuchu
Itō Jakuchū (伊藤 若冲)
Self-Portrait (?)Ito Jakuchu
Itō Jakuchū (伊藤 若冲)
Itō Jakuchū (伊藤 若冲, 2 March 1716 – 27 October 1800) was a Japanese painter of the mid-Edo period when Japan had closed its doors to the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.
Compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.
Itō Jakuchū was the eldest son of Itō Genzaemon, a Kyoto grocer whose shop, called Masuya, lay in the center of downtown, in the Nishiki food district. Jakuchū ran the shop from the time of his father's death in 1739 until 1755, when he turned it over to one of his brothers.
His training in paintings was mostly derived from inspirations from nature and from examining Chinese paintings at Zen temples. Some sources indicate that he may have st
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