Lippo memmi simone martini biography
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Biography
Sienese painter, the pupil of Duccio, who developed the use of outline for the sake of linear rhythm as well as the sophisticated colour harmonies implicit in Duccio. He was also deeply influenced by the sculpture of Giovanni Pisano, and even more by French Gothic art.
His first work was a large fresco of the Maestà (, reworked ) painted for the Town Hall of Siena as a counterpart to the huge pala by Duccio in the Cathedral. This shows the formative influence of Duccio on him, but there is already a perceptible Gothic influence in it which is much strengthened in his next work, the St Louis of Toulouse (, Naples). At this date Naples was a French kingdom, ruled by Robert of Anjou, who sent for Simone and commissioned him to paint a new kind of picture: Robert's claim to the throne of Naples was not impeccable, and he therefore caused Simone to paint a large votive image of the newly canonized St Louis of Toulouse (a member of the French Royal house) shown in the act of resigning his crown to Robert.
From this time on, Simone's is essentially a Court art, refined and elegant, and much influenced by France. The type of Madonna evolved by Simone was of great importance in Sienese painting and may be seen in his Pisa polyptych () and in several others. In Simone
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Lippo Memmi
Italian painter (c. – )
Lippo Memmi (c. &#;– ) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law.
Together with Martini, in he painted what is regarded as one of the masterworks of the International Gothic, the Annunciation with St. Margaret and St. Ansanus (now in the Uffizi), probably mainly working on the two saints. He was one of the artists who worked at Orvieto Cathedral, for which he finished the Virgin of Mercy ("Madonna dei Raccomandati"). Later he followed Martini to the Papal court in Avignon, where he worked until the midth century. After his return to Siena, Memmi continued to work until his death in
Memmi's famed artwork, La Madonna della Febbre was the first venerated image of the Blessed Virgin Mary granted with a Canonical coronation by a Pope on 27 May The image has long been since held miraculous and is enshrined at the Sacristy chapel of the Blessed Sacrament inside Saint Peter's Basilica in Rome.
Style
[edit]Memmi's figures retain the static and generally frontal view found in the earlier generation of late Duecento masters such as Guido da Siena. Common features of his documented and attributed work are the sophisticated compositional arrangements, figures rende
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Annunciation by Simone Martini advocate Lippo Memmi
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