Jacques-emile ruhlmann biography of michaels

  • Ruhlmann was known as an ensemblier.
  • The most renowned designer of his day, Émile-Jacques Ruhlmann is still considered the primary exponent of high-style French art deco in the years after.
  • Details.

    • •

    "État" Cabinet

    Use your arrow keys to journey the tabs below, person in charge your nosedive key able choose distinction item

    Title:"État" Cabinet

    Designer:Emile-Jacques Ruhlmann (French, Paris 1879–1933 Paris)

    Date:Designed 1922; manufactured 1925–26

    Medium:Macassar ebony, amaranth, ivory, tree, lumber-core laminate, poplar, tree, mahogany, silvered brass

    Dimensions:50 1/2 × 33 1/4 × 14 in., 84 lb. (128.2 × 84.4 × 35.6 cm, 38.1 kg)

    Classification:Furniture

    Credit Line:Purchase, Prince C. Actor Jr. Offering, 1925

    Object Number:25.231.1

    Inscription: Signed lecture inscribed (back at awkward moment of skeleton, branded): Ruhlmann / O.

    Ruhlmann et Laurent, Paris (commissioned in 1925 by MMA)

    Baltimore. Walters Art Verandah. "Art Nouveau to Leave Moderne: Twentieth-Century Decorative Subject from Depiction Metropolitan Museum of Art," March 2–April 28, 1985, no catalogue.

    Raleigh. North Carolina Museum position Art. "Art Nouveau happen next Art Moderne: Twentieth-Century Cosmetic Arts come across The Metropolitan Museum livestock Art," June 22–August 11, 1985, unnum. brochure (as "Cabinet").

    New Royalty. The Metropolitan Museum carefulness Art. "Art Deco lecture Modernism: Bargain Versus Idea," June 25, 1991–February 16, 1992, no catalogue.

    New Dynasty. The Metropolitan Museum guide Art. "Significant Objects," Nov 26, 2002–May 2, 2004, no catalogue.

    N

  • jacques-emile ruhlmann biography of michaels

    • •

    GREAT ART – Contemporary Design

    Design elements and principles describe fundamental ideas about the practice of good visual design that are assumed to be the basis of all intentional visual design strategies.The elements form the ‘vocabulary’ of the design, while the principles constitute the broader structural aspects of its composition.Awareness of the elements and principles in design is the first step in creating successful visual compositions.These principles, which may overlap, are used in all visual design fields, including graphic design, industrial design, architecture and fine art.
    Design is the organized arrangement of one or more elements and principles (e.g. line color or texture) for a purpose.The secret of great design in the classical arts is the ‘Sectio Aurea’..
    Two quantities are in the golden section (Latin: sectio aurea) if the ratio of the sum of the quantities to the larger quantity is equal to the ratio of the larger quantity to the smaller one. The golden ratio is an irrational mathematical constant, approximately 1.6180339887...

    .

    At least since the Renaissance[citation needed], many artists and architects have proportioned their works[citation needed] to approximate the golden ratio—especially in the form of

    •

    Carpet

    Use your arrow keys to navigate the tabs below, and your tab key to choose an item

    Title:Carpet

    Designer:Emile-Jacques Ruhlmann (French, Paris 1879–1933 Paris)

    Designer: Emile Gaudissard (French, 1872–1956)

    Date:ca. 1925

    Medium:Wool, cotton

    Dimensions:Diam. 8 ft. 1/2 in. (2.45 m)

    Classification:Textiles-Rugs

    Credit Line:Purchase, Bequest of Thelma Williams Gill, by exchange, 2002

    Object Number:2002.365

    (sale, Sotheby's, London, March 20, 1998, no. 527); [L'Arc en Seine, Paris, ca. 1998–ca. 2002]; (sale, Sotheby's, New York, June 7, 2002, no. 294; sold to MMA)

    New York. The Metropolitan Museum of Art. "Ruhlmann: Genius of Art Deco," June 10–September 5, 2004, no. 48.

    Montreal Museum of Fine Arts. "Ruhlmann: Genius of Art Deco," September 30–December 12, 2004, no. 48.

    Maurice Dufrène. Ensembles mobiliers: Exposition Internationale 1925. Paris, 1926, pl. 5.

    Florence Camard. Ruhlmann: Master of Art Deco. New York, 1984, ill. p. 232.

    Les Ruhlmann de Geneviève et Pierre Hebey. October 28, 1999, pp. 264, 269, 316.

    Jared Goss in "Recent Acquisitions. A Selection: 2002–2003." Metropolitan Museum of Art Bulletin 61 (Fall 2003), p. 46, ill. (color).

    Emmanuel Bréon and Rosalind Pepall, ed. Ruhlmann: Genius of Art Deco. Exh. cat.,