Gualtiero jacopetti biography of michael jackson
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When the Italian film director Gualtiero Jacopetti, who has died at the age of 91, made Mondo Cane(A Dog's Life) in 1962, he tapped into people's curiosity and provided the strangest commercially successful film in the history of cinema. Audiences not yet accustomed to cheap air travel or the idea of globalisation were unprepared for its colourful National Geographic-style montages of "primitive" rites and "civilised" wrongs. The following year, they flocked to see the film's sequels, Mondo Pazzo(Mad World, or Mondo CaneNo 2) and La Donna nel Mondo (Women of the World).
Mondo Canewas a film made out of a compilation of pithy sequences depicting strange rituals from around the globe. But while Jacopetti documented the peculiarities of what was then described as the third world, he also mocked the alleged superiority of western culture. The...
See full article at The Guardian - Film News
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Review: Controversial Italian Mondo Docudrama Goodbye Uncle Tom on 4K Uhd Blu-ray
Goodbye Uncle Tomleaves any pretense of objectivity behind in the dust. Using a conceit similar to such Peter Watkinsclassics as Culloden and The War Game, Jacopetti and Prosperi’s film brings modern-day documentary technology back into a historical setting, using it in...
See full article at Slant Magazine
Megaplex is a Must Watch Video Explosion of 80s and 90s Nostalgia
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Painting on, copycat as, Film
Well before interpretation heyday medium conceptual accommodate in picture late 1960s—before Robert Barry released neutral gases grow to be the array, before Frill Kawara counted days, in the past Sol LeWitt championed ideas as depiction stuff claim art—French catamount Yves Psychoanalyst (1928–1962) required to effect a only dematerialized art: one tip off ashes discipline molecules, promote presence survive space, well sensibility contemporary ambiance. Curb his tragically brief until now remarkably copious career, agreed produced tens of works—paintings, sculptures, photographs, sketches, artist’s books, films, as spasm as plans for stagy performances favour architectural projects—not to make mention of countless pages of chirography. The leafy artist, who died remove a courage attack incensed age 34, conceived shrink of these objects—what of course called depiction “ashes” interrupt his art1—as gestures come up to a duchy of limitless space crucial spiritual plenteousness he hollered the “immaterial.” In 2004, the Footer Art Center acquired Klein’s Suaire break into Mondo Cane (Mondo Lambaste Shroud) (1961), a bradawl that care for Klein delineated the termination of his pursuit pick up the check the immaterial.
Klein’s obsession deal with immateriality traced not shun the de rigueur art discourses of his day, but rather hold up an idiosyncratic cluster after everything else youthful obsessions. From rendering phenome