Edson chagas biography definition

  • Happy birthday to Edson Chagas!
  • Edson Chagas was born in Luanda, Angola, where he currently lives and works.
  • The Tate Modern's newest curation, A World in Common, is an attempt at reclaiming the power of the photographic apparatus.
  • ARQUITETURA E DESIGN


    “CHANGING NOTHING SO THAT EVERYTHING IS DIFFERENT”: CONVERSATION WITH BEYOND ENTROPY

    PAULO MOREIRA


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    Beyond Entropyworks around the concept of energy for producing new forms of spatial practice. It is directed by Stefano Rabolli Pansera, an Italian architect based in London. The Africa projects are co-directed by Paula Nascimento, an Angolan architect who studied and lived in London for over a decade before moving back to Luanda. Stefano and Paula curated the exhibition “Luanda Encyclopedic City”, awarded the Golden Lion at the 55th Venice Biennale (1 June to 24 November, ).

    [The conversation took place in July , between Lisbon, Porto, Luanda and London.]

    Paulo Moreira




    First of all, congratulations for the Golden Lion at La Biennale di Venezia. I would like to start by talking about the formation of Beyond Entropy (B/E). What are the scope and objectives of the project?

    SRP:Beyond Entropywas set up in as part of the Architectural Association (AA) in London. At the time I was teaching and I was interested in exploring a specific theme: Energy. I believe this is a central issue in contemporary architectural discourse but very often architects reduce the concept of Energy to a
  • edson chagas biography definition
  • Review: 'A World in Common: Contemporary African Photography' – A Lacklustre Mix Of Greatest Hits

    ★★★☆☆

    Mario Macilau, Breaking News from The Profit Corner series, Archival pigment print on cotton rag paper. © Mário Macilau, Courtesy Ed Cross Fine Art.

    As an aesthetic, Afrofuturism has been on the lips of culture so frequently that it might as well be considered retrograde. And if it draws on the African past to depict a liberated future for the Black Atlantic, the looming threat of climate crisis has put in question any future at all, for anyone. Yet as a conceptual strategy, Afrofuturism is thriving: its tools, imagined by writers such as Kodwo Eshun, serve to rework and revise the oppressive conditions that came to define lives of Afrodiasporic communities.

    In this context, the Tate Modern’s newest curation, A World in Common, is an attempt at reclaiming the power of the photographic apparatus. Yet, if the methodology of Afrofuturism can be thought of as ‘remixing’ of sorts, then the Tate makes for a questionable DJ - one that relies on pre-made playlists rather than a proper mixing board. Still, within such curatorial diffidence lurks a collection of brilliant works.

    On its walls, the exhibition stubbornly asserts that the aim is

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