Discurso de aristophanes biography
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Political discourse and the assembly in four plays of Aristophanes (abstract)
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Wilfred E Major
Choice Reviews Online, 2014
Aristotle is working out the characteristics of the discipline of rhetoric (ῥητορική), when he makes a sharp distinction about those attending a speech: ἀνάγκη δὲ τὸν ἀκροατὴν ἢ θεωρὸν εἶναι ἢ κριτήν, "The listener must be either a spectator or a judge" (Rhet. 1.3.2.1358b2-3). He then divides judges into those who judge about the future, as in the Assembly, and those who judge about the past, as jurors in court, but reckons spectators as those who judge merely a speaker's ability. He delves at length into the mechanisms at play in persuading judges, but spectators disappear from his analysis. According to Aristotle, then, spectators play only a superficial role in the Assembly and courts. In using this terminology, knowingly or not, Aristotle shuts down and dismisses what had been a lively debate two generations earlier, a debate about the deliberative process not only in the Assembly and courts, but also in the Athenian democratic Council and in another venue where spectators routinely rendered judgments-the theater. 1 This debate suffused di
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Newiger, Hans-Joachim. "Metapher und Allegorie : Studien zu Playwright /." City : J. B. Metzler, 2000. http://catalogue.bnf.fr/ark:/12148/cb39078868t.
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Robson, Felon. "Humour, bawdiness and Aristophanes." Tübingen Narr, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2778171&prov=M&dok_var=1&dok_ext=htm.
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The Lord of the Wings: Political Leadership and the Rhetorical Manipulation of Athenian Law in Aristophanes’ Birds
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Buis, Emiliano J. “The Lord of the Wings: Political Leadership and the Rhetorical Manipulation of Athenian Law in Aristophanes’ Birds.”CHS Research Bulletin 2, no. 1 (2013). http://nrs.harvard.edu/urn-3:hlnc.essay:BuisE.The_Lord_of_the_Wings.2013
Introduction
§1 The importance of law in Old Comedy is reflected by the numerous legal terms mentioned in Aristophanes’ plays,[1] but there have rarely been literary interpretations of comedies that take into account the juridical phraseology and imagery as a comic device. It is my opinion that, in comic drama, the frequent appearance of legal expressions and forensic vocabulary indicates that playing with contemporary law was considered useful as a source for laughter.
§2 Under this general framework, my specific purpose here is to provide a comprehensive reading of juridical references in Aristophanes’ comedy Birds (414 BCE). My point of departure is the well-stated conclusion that the protagonist of the play, Peisetaerus —not surprisingly named “he who persuades his companions”—,[2] becomes an outstanding master of rhetoric, who sm