Dinah washington biography book lyrics
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Nadine Cohodas&#;s Queen: The Sure of yourself and Medicine of Dinah Washington is the guidepost biography archetypal the transient, intensely momentary life impressive soulful masterpiece of representation great Dinah Washington.
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Dinah lives large pin down Queen, respect her septet marriages; cause penchant funding clothes, cars, furs, elitist diets; boss her very well feisty identity &#; petulant one minute and clothed the job. Cohodas metic
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Listening to Dinah
I am listening to Dinah Washington sing “Don’t Explain.” She is telling her man she knows he is cheating on her. Despite the lyric’s insistence that she still loves him and it doesn’t matter, her voice is harsh, bitter, weary. Disillusioned. She is basically saying: Don’t lie to me, save your breath, we both know what the score is. “What is there to gain? You’re my joy and pain. Is that lipstick? Oh no, don’t explain.” She’s the ultimate realist.
Her voice, often called gritty, gets down here, hits rock bottom. There’s nowhere further to go. Her voice is like paint remover or sandpaper stripping the walls. I want to find words to describe her voice, but it’s a hopeless proposition, especially with this song, because the whole point of it is—don’t explain. It’s the national anthem of anti-hermeneutics, the theme song to Susan Sontag’s “Against Interpretation.” She’s trying to communicate to her man about the exhaustion of communication.
In some of these late recordings, she approaches the tradition of the art song and the lied. Here, in “Don’t Explain,” despite the lush Ernie Wilkins arrangement conducted by Quincy Jones, she moves toward a stillness, a hush, and starts deconstructing the ballad lyrics, clawing them apart and looking ins
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Dinah Washington
American singer, songwriter, pianist (–)
"The Queen of the Blues" redirects here. For the Chicago Blues singer, see Koko Taylor. For Taylor's album, see Queen of the Blues.
Musical artist
Dinah Washington (; born Ruth Lee Jones; August 29, – December 14, ) was an American singer and pianist, one of the most popular black female recording artists of the s.[1] Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music,[1] and gave herself the title of "Queen of the Blues".[2] She was also known as "Queen of the Jukeboxes".[3] She was a inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in
Early life
[edit]Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones,[4] and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers.[5] When she joined the Sallie Martin group, she dropped out of Wendell Phillips H