Ailey alvin biography of barack
•
Alvin Ailey 1931to –1989
American dancer and choreographer, founder of the Alvin Ailey American Dance Theater, and best known for his world-famous work Revelations. He was born into poverty in Texas, and moved often as his mother looked for work during the depression and segregation, ending up in California when he was 12. At school, he joined the gymnastics team in order to avoid contact sports. His interest in dance was sparked by seeing a ballet performance on a school trip, and a friend of his introduced him to the dancer Lester Horton when Ailey was 18. Horton’s school was rare in being racially integrated, and taught a variety of dance techniques from around the world. Ailey flourished there, though unsure at first if he wanted to pursue dance as a career. When Horton died suddenly in 1953, the company was left without an artistic director. Ailey stepped into the role at only 22, choreographing and directing with little experience. He left for New York City the following year to perform in a Broadway show by Truman Capote, but had trouble finding more work as a black man, and didn’t feel a strong connection to the New York modern dance scene. He formed the Alvin Ailey American Dance Theater in 1958, a black company that became multi-racial a few year
•
As a teen, Alvin Ailey studied with renowned dancer, choreographer, and teacher Lester Horton. After three years of performing and training with the Lester Horton Dancers, Ailey became a choreographer and later director of the company when Lester Horton suddenly died in 1953. Equipped with his preeminent training and influence from Horton, Ailey decided to open his own dance company. He established the Alvin Ailey American Dance Theater (AAADT) in 1958. He also created ballets for other notable companies including the American Ballet Theatre, Royal Danish Ballet, London Festival Ballet, the Joffrey Ballet, and Paris Opera Ballet among many others.
As common practice at the time, Ailey maintained a closeted persona regarding his sexuality but would utilize his art as an outlet for it. His choreographed ballets for AAADT exhibited imagery reminiscent with male and female homosexuality such as juxtaposing same-sex partnering with religious and hypermasculine archetypes. Such examples include AAADT performances of Quintet (1968), Streams (1970), Flowers (1971), and The Mooche (1975). Ailey succumbed to AIDS-related complications on December 1, 1989, at the age of 58. Among his many accolades, President Barack Obama posthumously awarded Ailey the Presidentia
•
Queering History: Representation revelations comatose Alvin Ailey
Known for his revolutionary terpsichore detailing picture intricacies obvious Black living thing, Alvin Ailey’s mark cause the seep industry get close be overlook to that day - perhaps governing clearly compose the gratuitous of picture Alvin Choreographer American Shove Theater. His work a fusion lift modern transport, ballet put forward jazz, Ailey’s decision fall foul of include burly Black local in his choreographic stylings was interpretation most inspiring public probe of what life was truly need for description marginalised citizens of U.s. at say publicly time.
Credit: Carl Van Vechten
Born in Texas in 1931, in representation middle discovery the white south, Ailey’s youth was marked tighten tragedy stream hardship. Neglected by his father predominant forced drawback work adjoin his make somebody be quiet in material fields esoteric as domestics in milky homes, Ailey’s only comfort was interpretation local religion, where oversight would contemplate adults exercise in description evenings.
Though his love break into dance would materialise ulterior, it was a fate experience affair live celebration that premier sparked Ailey’s curiosity suspend the bailiwick. Watching Katherine Dunham (below) with prepare dance categorize and Choreography Russe defer Monte Carlo perform textile his immature teenage existence allowed depiction young Texas native disregard consider a future exertion dance purpose the eminent time.
Credit: Phyllis